Background Music for Shopping Centres in Indonesia
Shopping centres are named in Permenkum 27/2025 — and a mall is one of the hardest music environments to programme, because the concourse has to work for every tenant at once.
Named in the Regulation
Shopping centres are named directly in the analogue commercial-use categories under Permenkum 27/2025.
Commercial music engages five separate rights: public performance of the composition, public performance of the sound recording, reproduction of the sound recording, recording and master rights, and publishing rights for commercial use. LMKN and its member LMK administer public performance through collective management. The other three rights sit elsewhere.
Permenkum 27/2025 places the royalty obligation on the event organiser or the business owner — not the performer, and not the supplier. The establishment operating the premises is the responsible party, and that responsibility does not transfer through a subscription agreement.
Why Music Matters in Shopping Centres
A concourse programme has to be neutral enough to sit under a luxury tenant and a food court simultaneously, without reading as bland. Background music that is too characterful competes with tenants; too generic and it does nothing for dwell time.
Atrium and event spaces need separate treatment again, particularly around promotional periods when the same space changes purpose several times in a week.
Zones and Dayparting
A managed programme treats these as separate problems, each with its own schedule:
- Main concourse — tenant-neutral, consistent across levels
- Atrium and event space — reprogrammed around activations
- Food and beverage precinct — warmer, higher energy
- Anchor tenant approaches — transitional programming
- Car park and back-of-house circulation — low-key wayfinding
All of it is handled on your behalf. There is no dashboard, and nothing for your team to schedule.
The Reproduction Gap
Reproduction is the right most operators never consider. It is engaged whenever a recording is copied — downloaded to a media player, cached by an application, or stored on local playback hardware. Nearly every commercial music system does this in normal operation, because reliability depends on the music being held on site rather than streamed continuously. Reproduction rights are also territorial: a supplier licensed in another country frequently cannot confer valid coverage for use in Indonesia, whatever its agreement states.
How MUSICVYBE Is Licensed
MUSICVYBE holds direct licences covering all five commercial music rights in a single subscription, valid in Indonesia and internationally.
The catalogue is curated by unnamed specialists with more than twenty years of experience programming music for hospitality, retail and financial environments — and because it is directly licensed and outside LMKN and LMK repertoire, no separate collective licence is required for the music we deliver.
Explore MUSICVYBE Indonesia
| Indonesia | Country hub |
| Background Music Services | All verticals |
| Music Licensing Compliance in Indonesia | LMKN, LMK and the five rights |
| Permenkum 27/2025 Explained | What the 2025 regulation changed |
Frequently Asked Questions
Does the centre or the tenant hold the licensing obligation?+
Permenkum 27/2025 places the obligation on the business owner or event organiser. In practice a centre is responsible for the music it plays in common areas, and tenants for music within their own premises. Both are commercial use.
Do we still need an LMKN licence if we use MUSICVYBE?+
Our position is that no collective licence is required for music delivered through MUSICVYBE, because the catalogue is directly licensed and sits outside LMKN and LMK repertoire. A collecting society’s claim derives from the works it controls. Music from other sources is assessed separately.
What does Permenkum 27/2025 actually require?+
It implements Government Regulation No. 56 of 2021, strengthens LMKN’s role as the central collection body, distinguishes analogue from digital commercial use, and defines 23 categories of analogue use that attract royalties.
Who is liable if our venue is underlicensed?+
The business owner or event organiser. Liability sits with the establishment and does not transfer to a music supplier through a subscription agreement.
Get Your Indonesian Shopping Centres Fully Licensed and Curated
Five rights, one subscription, fully managed. Talk to MUSICVYBE.